Friday, January 23, 2009

ROBERT REDFORD: TIMES ARE TOUGH FOR INDIE FILMMAKERS

Robert Redford has suggested that these are dire times for independent filmmakers.

In an interview with the Wall Street Journal , the founder of the Sundance Film Festival said that the struggle to find financing for films has become more
"intense."

Studios who previously backed independent filmmakers have "become more of a clearing house now." Instead, he said, they have brought in "all kinds of outside investors ... [who] tend to be these unsophisticated non-film people." Often, he suggested, "they'll pull out at the last minute because of their lack of sophistication and leave the filmmaker high and dry.

So as all these investors pull away, and distribution moves online, one has to wonder, "Where is the money going to come from? And I just don't know."

©2008, Contactmusic.com Ltd. All rights reserved.

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Wednesday, January 21, 2009

FINANCING YOUR INDIE FILM

CATCH 22: Without NO contract and NO offer in place, it's highly unlikely any "A" list actor would ever be attached to any project. If an "A" list actor was attached to a project, the project’s producer would likely already have all his funding.

The majority of new media films are still funded through friends, relatives or a wealthy patron familiar with the director, actor or screenwriter’s work and potential. The source of the venture capital is usually willing to lose whatever money he advances and has enough in reserve so that he will not be affected by its loss. He knows that well over 95% of all independent new media digital films made lose money and cannot find distribution.

When writing a business plan for your film its wise to mention films like El Mariachi, Napoleon Dynamite, Saw, The Blair Witch Project, and My Big Fat Greek Wedding as examples of independent films that hit the box office jackpot.

READ MORE - http://www.independent.co.uk/arts-entertainment/films/features/film-studies-the-az-of-how-to-lose-money-in-hollywood-587570.html

©2009, Stanley N. Lozowski. All Rights Reserved.
Copyright 2008 Independent News and Media Limited

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Wednesday, January 14, 2009

Kevin Geiger on indie film business plans

Excerpt 2 of 4 from Kevin Geiger's informal presentation on independent film business planning, delivered at the Griffith University Film School in Brisbane, May 2008. Kevin discusses indie film development funding and business plans, with specific attention to development & advisory teams, and investor presentations.

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Wednesday, December 24, 2008

Beware the fake “ANGEL INVESTORS” and Representatives

A filmmaker wrote me yesterday to report that he lost $250.00 to a
"representative" for "investors". After that lesson he was wondering if he should give 10% of the money to finance his film to give to someone else, who would arrange to finance the full film.

There are many legitimate agents and representatives. These people need to get paid. As a general rule these professionals will not ask for money upfront. That does not mean there could not be real expenses in promoting your project. However they are not compulsatory.

Isn’t it great when you are trying to raise money for your film project and people say, "I MIGHT give you a lot of money for your project if you give me a little money first!"

BE FOREWARNED: Angel groups NEVER charge a fee. By nature, these groups are looking for places to invest their money and they are very open to looking at what you have without any advance on your part.

If someone representing you to any group has to "approve" you by charging you money up front to cover due diligence, to make a presentation to the investors, to submit your application, to preview your project or for any other reasons, understand that without a contract that specifies what will happen and when, it is impossible to know what you are getting or if and when your project will ever move forward within any group.

If you insist on paying money up front, everything must be spelled out in a legal binding CONTRACT. If a contract or retainer agreement doesn't say what will happen and WHEN IT WILL HAPPEN, NEVER PAY MONEY to ANYONE UP FRONT whether they are a "reputable" attorney or not.

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Wednesday, October 22, 2008

WHO IS FUNDING YOUR FILM?

Be very careful when asked to advance money or escrow money to any company or executive producer that promises to obtain funding or venture capital to back your film project. This is NOT how films are financed. There are many scams out there and it is unfortunate that people have been taken advantage of in all financial avenues.

Since the market has soured, several large real estate lenders are attempting to enter film finance. While they do not ask advance fees, YES they have the money but at present, the only service they offer is to give a filmmaker a lower interest rate on their Gap, bridge and on the soft money.

In order to get their money at lower interest rates however, the filmmaker must put together his entire film and after the project is ready to go these new lenders will want up to half the project for an interest rate 6% to 7% less than traditional rates, plus fees. They obviously want to make the same money they made "flipping" houses.

After you have completed all the work, they provide a service (which depending on your circumstances might be unnecessary) and it is difficult to determine the "real" cost of their money until you are ready to accept their money. It's like going to a "closing" and you just might waste months and months in negotiations, discussions, gathering and presenting information just to find out the deal is not what you thought it would be. Exercise extreme due diligence in all such cases and do not put a lot of your valuable time into any such deals.

After many years in the film production business and having exercised due diligence on many companies who claimed to provide funding for up front fees, to date no one seems to have found any that are legit with a strong track record and yet they ask the filmmakers to have a strong track record and in many acses to "escrow 10, 20 and up to 50 percent of the money to make their film so they might borrow against it. A number of filmmakers wrote to tell me that ALL the filmmakers they know with strong track records already have financing lined up for their next films. And so, these "financiers" are left to work with film projects that have "lesser track records" which is exactly what they have.

To cash in on the growing number of filmmakers who seek funds, many "film funding" companies were and still are being founded by individuals with a history of legal troubles. Before you ever consider working with a financier, you should ask to speak with a film producer that has raised funds through this financier for a theatrically released film. And be careful working with agents, based on experience, some reputable "film financing agents" may unwittingly be promoting third parties that could be less than reputable.

There are always certain costs in doing any type of business, and chief among those are the costs of performing due diligence. These expenses should be recoupable at the closing table, not as an advance payment.

Any film financiers who are firm on their position of having prospective clients fund their cost of doing business in advance, are suspect and probably won't have much success attracting intelligent clients.

©2008, Stanley Lozowski. All Rights Reserved.

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Thursday, August 28, 2008

WHY FILM IN MICHIGAN?

Because the State of Michigan announced the best film tax rebate credit program in the nation! It's 40% Film Tax Rebate - 42% in 103 cities.

Additional Michigan Film Incentives include infrastructure & digital filmmaking funds and production company loans. CLICK HERE for full details of the Incentive Package proposed. - http://www.michiganfilmproduction.com/michigan_film_incentive
To begin you will need quality film budgets. These will enable you to present your projects to investors and the State of Michigan Film Commission to initiate the funding process for the Michigan Film Tax Rebate Credit.

The State of Michigan is a beautiful location to film your movie, television or new media project.

With 100's of miles of beaches and coastline, and scenic lakes, rivers, ponds, sand dunes, cities, countryside, farmlands, metropolitan and suburban settings - Michigan can provide locations for most any story. A true cross section of America, Michigan can double for 1,000's of towns, cities and rural settings of U.S. States and foreign settings as well. Combined with the Soon to Be Announced Film Incentives, Michigan is poised to draw many new projects to the state.

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