Monday, December 08, 2008

Canon EOS 5D Mark II SLR

"(24 hours after getting the EOS 5D Mark II) we were shooting the first shot for REVERIE in my living room," said Vincent Laforet.

Vincent is an Explorer of Light and he was one of the first photographers in the United States to shoot with a prototype EOS 5D Mark II.

With no notice, no funding, no crew, and less than 72 hours to complete his shooting, Vincent seized the opportunity to direct his first-ever short video. The result is REVERIE (click below to watch), a hauntingly beautiful work of art.

In this exclusive Making-Of Video, go behind the scenes with Vincent -- see how shots were lit, how the camera was rigged, why certain lenses were used, and how the film was edited on an Apple Final Cut. In his narration, Vincent discusses the experience of production, and how it felt to shoot HD video with Canon's latest EOS SLR.

CLICK HERE TO SEE THE TRAILER - http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=2426

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Wednesday, October 29, 2008

CANON'S AMAZING 120GB (under $1000.00) HG-21

The Canon HG21 AVCHD Hard Disk Drive camcorder sets a new standard for High Definition, delivering optimal image quality, long shooting times along with the extraordinary ease and versatility when viewing video on TV or a computer.

You can capture amazing HD video with even greater detail and color reproduction with its innovative 24Mbps capability, and the addition of a video-capable SDHC card slot plus the extended 120 GB internal Hard Disk Drive allows you to now record up to 45 hours of video onto the internal hard disk drive so there's no need to worry about running out of space.

24p Cinema Mode is a feature demanded by professional filmmakers and previously, only available on pro-level camcorders. 24p Cinema Mode enables all aspiring movie makers achieve a professional 'film-look'. This mode is actually two different features, which can be used independently, or together, depending on the user’s preference.

30p Progressive mode is a progressive format that is the perfect frame rate for the web because it delivers clarity for fast-action subjects. Plus, it is ideal for displaying crisp images on your home theatre system or computer monitor. Before now 30p was exclusively featured on pro-level camcorders but Canon now offers the widest frame rate options for every videographer.

And, like all Canon VIXIA camcorders, the HG21 features: a Canon HD video lens, FULL HD CMOS Sensor, and Canons exclusive DIGIC DV II image processor. Create the look and feel of Hollywood movies with the 24p Cinema Mode and even use Canon's select Photo Grabbing function to capture still images from previously recorded video.

If online video posting and sharing interests you, the HG21's 30p mode provides the perfect frame rate for the web and delivers clarity for fast-action subjects. The HG21 offers the unparalleled combination of Canon's exclusive SuperRange Optical Image Stabilizer to stabilize a wide range of movements, Instant AF for accurate focusing thats critical when shooting in HD, a built-in video light to easily shoot in dark settings, and the Canon exclusive 2.7-inch Multi-angle Vivid LCD Screen to view from various angles with true color representation and contrast.

LEARN MORE - http://www.lowpricedigital.com/item.asp?item_id=166035&partner=g123&keyword=canon_hg21&gclid=CLW1tvWrzJYCFQxxHgodGGYmxw

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Thursday, August 14, 2008

DEAD STARS TO STAR AGAIN IN MOVIES?

We all know that every independent filmmaker who can afford $399.00 for Canon's HV 30 1080i camera is planning to shoot their feature film with a very low budget. The HV30 is turbocharged with 30P mode in addition to 60i and 24P. For the best in high definition at this low price (and even at higher prices), right now you just can't beat the HV 30. CLICK HERE FOR CANON SPECS - http://www.camcorderinfo.com/content/Canon-HV30-Camcorder-Review-34401.htm#

There are great implications in today's news for independent filmmakers because most indy films are shot with low/no/micro budgets and that always means that the producers usually have little or no money and cannot afford to employ big name stars unless the stars agree to work for deferred pay or no pay. All this might change very fast especially if you're willing to work with dead stars...

According to Neil Dessau, chief marketing officer for Advanced Micro Devices, it is now possible to produce a new movie starring Marlon Brando with a "virtual" Marlon Brando. Of course, you would have to license Brando's personna and image from his estate (but this might not be as expensive as one might think early on in this crazy game).

Unveiling the company's new ATI Radeon graphics card here in New York Tuesday, Dessau said that the card will permit directors to control not only the lighting, staging, and dialog of movies digitally but also create virtual actors and easily manipulate their facial expressions.

The online edition of Advertising Age quoted Jules Urbach, founder of a firm developing high-quality animation as saying that it is now "possible to bring back actors from the past and realistically put them in new films."

Imagine a new film starring Bruce Lee, Elvis Presley and Marilyn Monroe with John Wayne thrown in for good measure! This has been possible for many years (but with lesser quality results by today's standards) since the program VIRTUAL MARILYN first sought to reproduce the image of Marilyn Monroe in films many years ago. The fact is that today's processors make the portrayals a lot more realistic and lifelike. CLICK HERE TO SEE a Demonstration of virtual Marilyn Monroe Footage (Miralab) from one decade ago - http://www.pbs.org/wgbh/nova/specialfx2/marilyn.html

In the past, we have been treated to TV commercials using digitized and edited versions of Louie Armstrong, Humphrey Bogart, W. C. Fields, Marilyn Monroe, Groucho Marks and Abraham Lincoln, to name just a few of the deceased celebrities who have been used in films. Producers sought to put Marlon Brando in 2006 movie "Superman Returns" this way and they ended up with some amazing scenes that appropriately incorporated footage and Brando's old voice tracks with his reflection in the crystals.

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