Friday, October 31, 2008

LET THE RIGHT ONE IN: just in time for Halloween

“VAMPIRE LORE RARELY COMES ACROSS AS INSPIRED AND ALIVE AS IT DOES IN THIS EXQUISITELY CRAFTED FILM." – Film Comment

“THIS IS A VAMPIRE MOVIE LIKE NO OTHER. MESMERIZING.” – David Ansen, Newsweek

A fragile, anxious boy, Oskar is regularly bullied by his stronger classmates but never strikes back.

As much a coming-of-age story as vampire tale, Let the Right One In does its unsettling work quietly. Twelve-year-old Oskar lives in a drab village outside Stockholm, where by day he's the victim of relentless bullying, and by night he dreams of revenge.

Slipping out of sight of his single mother, Oskar fills a notebook with news on the gruesome killings that have set neighborhood nerves on edge-someone is tying people up, breaking their necks, and draining their blood. Oskar rehearses knife moves in the icy courtyard of his apartment complex...

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Inside Sundance, Miramax, and Independent Film

The idea for "Down and Dirty Pictures" came to Peter Biskind while he was on the road promoting "Easy Riders, Raging Bulls." A one-time doc filmmaker who was active in the indie film community, Biskind later edited American Film Magazine.

"I found myself saying that the independent scene carried the torch of the 70s, in the 90s," Biskind told indieWIRE. But, those familiar with Biskind's "Easy Riders, Raging Bulls" will notice a different approach to this decade. It's no longer about the films, it is about the business of the movies, that's the story that, according to Biskind, defined the 90s. "This is a distribution and marketing story," he said.

The decade began with some low-budget films from unproven filmmakers getting attention at Sundance. Weinstein in particular grabbed attention with movies like "Sex, Lies and Videotape" and "Clerks."

Quentin Tarantino, Steven Soderbergh, Kevin Smith, Richard Linklater and more inspired other filmmakers to create a steady pipeline of movies. Sundance and Miramax ignited a frenzied period in which first-timers sought stardom from their small movies and then Hollywood took notice, setting the stage for a round of corporate involvement in independent film that continues today.

Countless stories from interviews with an array of insiders offer first-hand accounts and Biskind's story picks up at the intersection of Miramax and Sundance (he calls them the "twin towers of the indie world").

READ MORE by Eugene Hernandez - http://www.indiewire.com/biz/biz_040106biskind.html

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Thursday, October 30, 2008

Fund Your Film in this Volatile Economy

The markets are crazy and over the last year there are very few signs that things will get better anytime soon. Maybe the trend will soften with a new President, but most people fear the worst is yet to come. Everyone is cutting back. Everyone plays a waiting game; waiting to see what will happen next.

If you are thinking about making a movie; do it, but do it on a tight budget. The most unusual circumstance today is that there is a lot of money out there, and the source-costing of it is incredibly cheap by historical standards, but banks, financial institutions and venture capitalists have been apprehensive about committing funds to anything. No one wants to take any risks for fear of what "might" happen.

And yet, the flow of innovative film projects and screenplays has not run dry. Great scripts and wonderful concepts are probably cheaper and more abundant than they have ever been. More people than ever want a shot at starring in a film and thousands of graduating films students every year beg to make movies.

In today’s marketplace, the risk/reward ratio between investing in a low-budget independent seems many times greater than investing in a major screenplay with tried and proven names (one only has to think of Robert DeNiro and Al Pacino in "Righteous Kill").

A low-budget startup can turn in enormous profits in only two or three years while a Hollywood studio with a multi-million dollar extravaganza may be lucky to see a 25% profit over that same period. But, each seems to have a similar survival profile.

We live in an era with amazing opportunities. Grab them while you can.

©2008 , Stanley N. Lozowski. All Rights Reserved.

Wednesday, October 29, 2008

CANON'S AMAZING 120GB (under $1000.00) HG-21

The Canon HG21 AVCHD Hard Disk Drive camcorder sets a new standard for High Definition, delivering optimal image quality, long shooting times along with the extraordinary ease and versatility when viewing video on TV or a computer.

You can capture amazing HD video with even greater detail and color reproduction with its innovative 24Mbps capability, and the addition of a video-capable SDHC card slot plus the extended 120 GB internal Hard Disk Drive allows you to now record up to 45 hours of video onto the internal hard disk drive so there's no need to worry about running out of space.

24p Cinema Mode is a feature demanded by professional filmmakers and previously, only available on pro-level camcorders. 24p Cinema Mode enables all aspiring movie makers achieve a professional 'film-look'. This mode is actually two different features, which can be used independently, or together, depending on the user’s preference.

30p Progressive mode is a progressive format that is the perfect frame rate for the web because it delivers clarity for fast-action subjects. Plus, it is ideal for displaying crisp images on your home theatre system or computer monitor. Before now 30p was exclusively featured on pro-level camcorders but Canon now offers the widest frame rate options for every videographer.

And, like all Canon VIXIA camcorders, the HG21 features: a Canon HD video lens, FULL HD CMOS Sensor, and Canons exclusive DIGIC DV II image processor. Create the look and feel of Hollywood movies with the 24p Cinema Mode and even use Canon's select Photo Grabbing function to capture still images from previously recorded video.

If online video posting and sharing interests you, the HG21's 30p mode provides the perfect frame rate for the web and delivers clarity for fast-action subjects. The HG21 offers the unparalleled combination of Canon's exclusive SuperRange Optical Image Stabilizer to stabilize a wide range of movements, Instant AF for accurate focusing thats critical when shooting in HD, a built-in video light to easily shoot in dark settings, and the Canon exclusive 2.7-inch Multi-angle Vivid LCD Screen to view from various angles with true color representation and contrast.

LEARN MORE - http://www.lowpricedigital.com/item.asp?item_id=166035&partner=g123&keyword=canon_hg21&gclid=CLW1tvWrzJYCFQxxHgodGGYmxw

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Tuesday, October 28, 2008

Create DVD Menus for Your Presentations

How to create DVD menus for your presentations

Burning PowerPoint to DVD is a good solution of preserving PowerPoint presentations and preventing them from being edited by others. Also, burning PowerPoint to DVD is ideal for viewing PowerPoint presentations through various media.

But have you ever thought that you can create DVD menus for your presentations to be viewed on TV with a DVD remote control just like a movie?

With eye-catching DVD menus, one can easily catch audience's attention and set quick navigation for the PowerPoint presentations. SEE a ready-made DVD menu for some PowerPoint presentations.

LEARN MORE By alexbear88 - http://forums.digitalmedianet.com/articles/viewarticle.jsp?id=557867

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Monday, October 27, 2008

TIME FOR INDEPENDENTS?

As Hollywood is prepping for recession, cuts will come.

NBC Universal sent a clear signal last week, dropping $500 million from its 2009 budget and Paramount sharply realigned its release schedule. Many other companies will surely follow suit. As jobs are lost and paydays cut, the coming months could plunge the industry into a recession resulting in less production and less content for all outlets crying for programming.

We've all lived through recessions before, but this one is somehow more ominous. For one thing, it's global. Even tiny countries like Iceland have run out of money.

In addition, there's no one at the controls. Historians will probably award the final days of the Bush Era an "A" for Anarchy. The economy is being run by a fraternity of dorks from Goldman Sachs who have spent their careers padding their own bonuses and constructing golden parachutes rather than pondering monetary policy.

The CEOs of the major congloms in the entertainment industry are themselves insecure about their business models as the Internet and digital projection promise great change. Is this a moment to steady the course or, conversely, should some basic -- indeed cosmic -- changes be added to the agenda?

READ MORE - "Final results of recession not necessarily bad" by PETER BART - http://www.variety.com/article/VR1117994607.html?categoryid=1&cs=1
© 2008, Stanley Lozowski, All Rights Reserved. and
© 2008, Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Saturday, October 25, 2008

VFX SPEEDS UP THE AGING PROCESS

HAL (www.hal.tv) recently created visual effects for a new music video from indie rock band Low vs. Diamond.

The Heart Attack music video looks like it is one continuous shot in which band member Lucas Field sings to a girl and kisses her.

As the video progresses, both characters are dramatically aged via CGI VFX, from their 20s well into their 90s.

SEE THE VIDEO - http://www.hal.tv/low1.html

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Friday, October 24, 2008

A BICYCLE STEADY CAM for traveling shots

I wanted to shoot some video while riding my road bike, but didn't want to deal with a helmet mounted camera and of course I didn't want to hold the camera in my hand.

An initial attempt at mounting the DV camera was totally unsatisfactory, so my next step was to build my own "steadicam" camera mount that would absorb some of the shock, providing a better quality video.

I just posted a mix of some shots taken with my version 3.0 of the Steady cam mount.

CLICK HERE TO LEARN MORE: http://www.instructables.com/id/DIY%3a-Bicycle---Steady-Cam---mount/

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Thursday, October 23, 2008

BLACKLIST 2007

At the end of 2007, the annual Black List, containing some undoubtedly amazing scripts, was distributed in the movie business. There will be a 2008 list at the end of this year.

The Black List is compiled at the end of each year from the suggestions of over 150 film executives and high-level assistants. They each contribute the names of up to 10of their favorite scripts that were written and that they were somehow someway associated with. None of these scripts were produced and none were released in 2008, more proof that even with a great screenplay, it's very difficult and time consuming to get your story into production.

The screenplays had to receive at least two mentions to make the Black List which is not a “best of” list but, more appropriately a “most liked” list.

The Black List is also considered a measuring contest for the Hollywood agencies and their motion picture lit departments. The most screenplays on the list were repped by Creative Artists Agency, followed closely by (in order of quantity) William Morris Agency, United Talent Agency, Endeavor, Paradigm, International Creative Management, and Gersh.

Screenwriters say that this list isn't on the level. They call the Black List "unofficial" since it is assembled with info provided by many junior studio execs and their assistants and also unscrupulous agents and managers trying to push their own clients and projects for their own benefit.

SEE THE BLACK LIST for 2007 - http://www.deadlinehollywooddaily.com/black-list-2007-1-danny-strongs-recount/

©2008, Stanley Lozowski. All Rights Reserved.

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Wednesday, October 22, 2008

WHO IS FUNDING YOUR FILM?

Be very careful when asked to advance money or escrow money to any company or executive producer that promises to obtain funding or venture capital to back your film project. This is NOT how films are financed. There are many scams out there and it is unfortunate that people have been taken advantage of in all financial avenues.

Since the market has soured, several large real estate lenders are attempting to enter film finance. While they do not ask advance fees, YES they have the money but at present, the only service they offer is to give a filmmaker a lower interest rate on their Gap, bridge and on the soft money.

In order to get their money at lower interest rates however, the filmmaker must put together his entire film and after the project is ready to go these new lenders will want up to half the project for an interest rate 6% to 7% less than traditional rates, plus fees. They obviously want to make the same money they made "flipping" houses.

After you have completed all the work, they provide a service (which depending on your circumstances might be unnecessary) and it is difficult to determine the "real" cost of their money until you are ready to accept their money. It's like going to a "closing" and you just might waste months and months in negotiations, discussions, gathering and presenting information just to find out the deal is not what you thought it would be. Exercise extreme due diligence in all such cases and do not put a lot of your valuable time into any such deals.

After many years in the film production business and having exercised due diligence on many companies who claimed to provide funding for up front fees, to date no one seems to have found any that are legit with a strong track record and yet they ask the filmmakers to have a strong track record and in many acses to "escrow 10, 20 and up to 50 percent of the money to make their film so they might borrow against it. A number of filmmakers wrote to tell me that ALL the filmmakers they know with strong track records already have financing lined up for their next films. And so, these "financiers" are left to work with film projects that have "lesser track records" which is exactly what they have.

To cash in on the growing number of filmmakers who seek funds, many "film funding" companies were and still are being founded by individuals with a history of legal troubles. Before you ever consider working with a financier, you should ask to speak with a film producer that has raised funds through this financier for a theatrically released film. And be careful working with agents, based on experience, some reputable "film financing agents" may unwittingly be promoting third parties that could be less than reputable.

There are always certain costs in doing any type of business, and chief among those are the costs of performing due diligence. These expenses should be recoupable at the closing table, not as an advance payment.

Any film financiers who are firm on their position of having prospective clients fund their cost of doing business in advance, are suspect and probably won't have much success attracting intelligent clients.

©2008, Stanley Lozowski. All Rights Reserved.

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Tuesday, October 21, 2008

7 Terrible Early Versions of Great Movies

There are THREE great lessons in this story for all screenplay writers and wannabe screenplay writers:

REWRITE, REWRITE and REWRITE!

On every street corner in Hollywood there are screenwriters moaning about how the studio ruined the original vision of their screenplay.

But what we never hear about is the opposite side of the coin where some truly horrific piece of writing got turned into a awesome motion pictures that became amazing successes.

It we believe the facts, it turns out that some of your favorite movies started out as truly terrible screenplays that somebody had the good taste to rewrite (and rewrite several times in some cases) before the cameras ever started rolling.

In 1976, screenwriters Dan O'Bannon and Ronald Shusett decided to expand on an unfinished O'Bannon screenplay titled MEMORY. This was a sci-fi story about a spaceship crew answering a distress call on a desolate planetoid.

By simply adding an alien monster to the story, everything about the story changed and the new script was titled STARBEAST.

Then, lightning struck and they immediately realized that Starbeast was a f**king terrible title! They had the inspiration and the good sense to come up with a better title and they renamed the screenplay ALIEN.

READ THE ENTIRE ARTICLE By Steve Clark - http://www.cracked.com/article_16716_7-terrible-early-versions-great-movies.html

Copyright © 2005 - 2007 Cracked Entertainment, Inc. All rights reserved. CRACKED, CRACKED.COM and the "CRACKED" logo are trademarks owned by Cracked Entertainment, Inc. All rights reserved.

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Friday, October 17, 2008

WHAT DOES A PRODUCER DO?



What exactly does a Producer do?

Are they just a means to finding the money? Or is the art of the Producer something much more intrinsic to the creative development of a cinematic project? This episode of Motion Sketches explores the role of the Producer in both creative and practical terms and delves into the nuts and bolts of production in the quickly evolving landscape of digital cinema.

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FREE pre production software for Indie Filmmakers

Not only is the software FREE, but it's easy to use and great!

Integrated Media Pre-Production for: Film, Theater, AV, Audio, Comics

First, it correctly formats your screenplay into a professional standard (allowing you at the click of a button to create a .pdf format or a word format) and it allows you to format your screenplay for the theater.

In addition to helping you correctly format your work, it will upload and organize storyboards as well as create schedules and callsheets. I first started singing its praises and using CELTX two and a half years ago and the latest version of this great and easy-to-use program is better than ever. Iy's available for FREE as a download.

Throw away whatever you had to pay for; CELTX will also let you share your work with co-writers and/or collaborators over the Internet. Since I've had great results working with writing partners, I can't help but give this a solid two thumbs up.

Celtx is the world's first all-in-one media pre-production software. It has everything you need to take your story from concept to production. Celtx replaces 'paper, pen & binder' pre-production with a digital approach that's more complete, simpler to work with, and easier to share.

CLICK HERE FOR MORE INFO AND TO DOWNLOAD THIS FREAT FREE PROGRAM - http://www.celtx.com/

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Wednesday, October 15, 2008

DO YOU KNOW MOCO?

Motion control photography is a special effects technique used in film that enables precise repetition of camera movements, usually to facilitate special effects photography.

The process is called MOCO and is generally utilized by filming several elements using the same camera motion, and then compositing the elements into a single image. Other effects are often used along with motion control, such as chroma key to aid the compositing.

Today's computer technology allows the programmed camera movement to processed, such as having the move scaled up or down for different sized elements. Common applications of this process include shooting with miniatures, either to composite several miniatures or to composite miniatures with full-scale elements.

A motion control operator controls a boom camera system usually on a dolly track. He is "browsing the move" with a joystick knob which advances the programmed motion forward or backward at various speeds much the same way as a video editing system can browse through a tape. This helps with the lighting setup and dressing the set for the particular shot.

CKICK HERE TO READ MORE - http://www.unit16.net/kingkong.htm

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Tuesday, October 14, 2008

Advice for Indie Filmmakers

The New Orleans Film Festival brought together a panel of filmmakers for the session “The Indie Filmmaker – A Survival Guide”.

They discussed the challenges and obstacles facing aspiring auteurs. The topics ranged from common mistakes made in low-budget features, the importance of the script and how to trust feedback, what crew members should absolutely be paid, financing options to casting and this may very well prepare you better to be a much director than going to film school.

No one has any money when you are first starting out to make films. Some of the most grievous mistakes one makes when starting out is cramming everything into a really short production schedule. You need to have a certain amount of time.

Secondly is paying a couple people on your staff, and paying the right people. A DP is important but - and DPs may hate me for saying this - most DPs will work for very little or nothing because they want to shoot their first feature. There’s certainly no shortage of DPs out there.

The people you have to pay are what I call your insurance policy. You’ve got to get an experienced script supervisor because you want to make sure you are covered. If you are a first time director you are going to overlook something, so they are your insurance policy.

READ MORE by Matt Armstrong - http://www.studiodaily.com/main/work/10058.html

STUDIO DAILY © 2008 Access Intelligence LLC. All Rights Reserved.

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Sunday, October 12, 2008

FREE SAILING FOR PIRATE BAY

Details of a ruling by an Italian court overturning a decree from a public prosecutor that blocked the BitTorrent search site The Pirate Bay indicate that it may be more far-reaching than initially thought.

According to a translation of key sections of the ruling appearing on the TorrentFreak. com website, the Court of Bergamo went beyond The Pirate Bay's argument that it merely posted information about BitTorrent sites and did not offer bootlegged movies itself.

Instead, the judge ruled that Italian authorities had no jurisdiction over foreign websites that are accused of copyright infringement. According to the translation, the judge stated: "No [Italian] criminal court is allowed to issue an order to ISPs [Internet Service Providers] to block traffic to a foreign website based on alleged
copyright infringement."

READ MORE - http://www.contactmusic.com/news.nsf/article/free%20sailing%20for%20pirate%20bay_1083194

©2008 Contactmusic.com Ltd, all rights reserved

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Friday, October 10, 2008

FREE "Music in Film - It's Evolving" NYC Networking Party

October 17, 2008 Friday Remix'd Networking at Rubin Museum FREE SPECIAL EVENT!!

HDFEST & SCENEPR host: "Music in Film - It's Evolving" Sponsored by HDFEST Music

Join HDFEST & SCENEPR for their festival kick-off & networking party at the RMA's K2 Lounge from 6pm-10pm as part of the REMIX'D Networking Series.

This will mark the inaugural event of "Music in Film - It's Evolving" a Filmmaker and Musician networking special event. ANYONE & EVERYONE is welcomed to come join the party!! The event is open to all!!

HDFEST's "Music in Film-It's Evolving" will provide introductions for filmmakers looking for film music for their soundtracks or interested in meeting new composers. These filmmakers will be introduced to musicians who are interested in scoring films.

This event is free of charge to HDFEST ticket holders, VIPs, musicians, and SCENEPR Remix'd registrants. For years, HDFEST has been producing all high-def film festivals all over the globe. Since HDFEST's inception, there have been 23 HDFEST events in 10 cities from LA and NYC, to London and Helsinki, to Sydney, Australia.

MAKE SURE TO HURRY & GET YOUR TICKETS NOW FOR HDFEST!

CLICK HERE TO REGISTER FOR YOUR FREE TICKET(S) - http://remixoct-mandy.eventbrite.com/

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Thursday, October 09, 2008

SANJURO - FREE East Coast Premiere in NYC

SANJURO will PREMIERE in NYC on Wednesday, October 15th, 2008

Doors Open 6:15pm, Screening starts 7:00pm
The ImaginAsian: 239 East 59th Street, NYC
RSVP to: http://www.newyork-tokyo.com/wp/sanjuro

SANJURO
Japan | 2007 | 119 min. | Japanese with English subtitles
This is a remake of Akira Kurosawa and Toshiro Mifune's SANJURO (1962). Originally, SANJURO was the first title ever in the motion picture history of Japan. This remake was planned and realized from the master-works of director Kurosawa.

"This is a dream and this is a challenge! Of what today's Japanese filmmakers can do in return to a favor for our seniors" the executive producer of this recast, Haruki Kadokawa, who acquired the rights to this film SANJURO, as well as to another Kurosawa title YOJIMBO, proudly proclaimed when he made an announcement of this project. To helm this challenging remake, one of the most acclaimed Japanese directors of today, Yoshimitsu Morita ("Lost paradise" "The Family Game" "Kitchen") was appointed. "I always wanted to revive SANJURO and make a film about him with today's actors and actresses in Japan." he said. The producer and director could not find anybody more suitable than Yuji Oda ("Bayside Shakedown" "Whiteout") for the role of Sanjuro in their edition.

Now with all new filmmakers, cast, and crew set in place, the entertainment Samurai action, based on the original script written by the legendary trio, Akira Kurosawa, Ryuzo Kikushima and Hideo Oguni, for the 1962 Kurosawa version, SANJURO is back on the big screen.

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Tuesday, October 07, 2008

What is a Day Out of Days template?

According to Wikipedia, the Day Out of Days is a chart used by filmmakers to tally the number of paid days for each cast member. The chart must be prepared after the shooting schedule. Once it has been completed, work can begin on a budget.

The Day Out of Days is arranged as a grid, with columns representing days and rows representing cast members. Letters are used to indicate paid days. Typically, W is used to indicate a work day (the cast member will perform on that day), T indicates a travel day, and R a rehearsal day. All three count as paid days.

The letters S (Start) and F (Finish) are used to indicate the first and last paid days. For example, a cast member's first paid day (usually a rehearsal day) appears as SR; the last paid day (usually a work day) appears as WF.

Special consideration must be given to idle periods in the Day Out of Days. A cast member can either be held (paid) or dropped (not paid) during an idle period. The Screen Actors Guild has very specific rules addressing when an actor can -- or especially can't -- be dropped. (The rules don't apply for actors with run-of-show agreements.)

In the Day Out of Days chart, hold days are indicated by an H. When a cast member is to be dropped, a D marks the last paid day before the drop, and a P indicates the day when the cast member will be picked back up.

CLICK HERE TO LEARN MORE - http://en.wikipedia.org/wiki/Day_out_of_days

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Sunday, October 05, 2008

PETER & BEN

Invisible Films is a multi-award winning independent film production company based in Hackney, East London. Founded in 2001 the company has produced short film, documentary and experimental film, all of which have been distributed with acclaim internationally via film and contemporary art festivals.

Directed by Pinny Grylls in 2007, Peter and Ben is a touching and quirky story of how two "black-sheep" form an unusual and enduring bond.

Winner Best Documentary - Aspen Shorts Fest 2008, PETER & BEN was screened at London Film Festival 2007 & Clermont Ferrand Short Film Festival 2008.

LEARN MORE at - http://www.invisiblefilms.co.uk


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The TOP INDEPENDENT FILMS of Summer 2008

Independent films are alive and doing well.

They are selected and represented every season on the http://www.smartcine.com entertainment web site.

To see how they fare in the marketplace with each other or compared with other films, just visit http://www.boxofficemojo.com

Many indie films lack the clout of the larger and better advertised Hollywood productions. And yet, they are becoming a force to be reckoned with as moviegoers everywhere pay to see the elaborate productions with big names stars on the big screen and walk away disappointed. These same movie fans often purchase the indie films they heard so much about later on DVD.

CLICK HERE TO READ MORE - http://www.smartcine.com/top_independent_summer_2008.html

Copyright ©2008 The Entertainment Report Group
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Friday, October 03, 2008

You Can Do 3D Production At No Cost

Aspiring 3D artists and enthusiasts rejoice: thanks to Microsoft, TrueSpace software finally goes completely free for everyone. Now, you can do 3D modeling, 3D animation and 3D production without incurring any cost at all!

Although I’ve been a good fan of other professional 3D modeling and animation software such as Autodesk’s 3ds Max versions and the former renowned Maya, I would say TrueSpace has real muscles to compete — no wonder why Microsoft decided to purchase Caligari, the developer company of TrueSpace, and have their product to work with Virtual Earth 3D and Live Search Maps. Based on my own experience, TrueSpace is easier to use and there are lots of comprehensible official and unofficial tutorials available on the Web. It is best for both students, 3D enthusiasts and professionals.

CLICK HERE TO LEARN MORE Written by John Raul II - http://www.johnraul.com/you-can-do-3d-production-at-no-cost/
© Technorati, Inc.

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Wednesday, October 01, 2008

The "First ever animated movie created for 3-D"

Hopefully, this will clear up some false advertising.

The new animated feature, FLY ME TO THE MOON bills itself as the "First ever animated movie created for 3-D" and this is simply NOT true!

I'm Jeffrey Scott and how do I know? Because I wrote the first ever animated movie created for 3-D...Starchaser: The Legend of Orin, released in 1985. Maybe they figured no one would remember, but here's the Wikipedia link to prove it - http://en.wikipedia.org/wiki/Starchaser

It's an epic adventure about a young slave named Orin who digs his way out of a hellish underworld to discover a space-faring society above. If you'd like to read the whole thing just CLICK HERE - http://www.jeffreyscott.tv/Starchaser.pdf

Now that we've cleared that up, I've got to go back to work.

Jeffrey Scott
http://www.jeffreyscott.tv/

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WHERE MOVIES RUN FREE...

SHHHH...

One of the best kept secrets is that indiemoviesonline.com has been "soft-launched" and is now in beta. You can be one of the first to learn about this great independent filmmaker's website.

What makes it so great is that INDIEMOVIESONLINE believes that the future of entertainment is FREE, streamed content direct to you whenever you want it.

William Gibson said, "the future is here; it's just not evenly distributed." INDIEMOVIESONLINE has circumvented the distribution issue by offering films to watch, on demand, absolutely FREE.

The site is currently a closed beta, with much work and many editorial and community features still to be added. It's being hosted locally, not on the all-singing, all-dancing content delivery network that is its eventual destiny, so understand if film delivery is a little slow. This should not stop you and all your friends from being the first to enjoy FREE independent feature films.

Right now, INDIEMOVIESONLINE has a small number of films for you to watch, provided by the distributor PeaceArch. Among these are the Academy Award-winning THE OFFICIAL STORY, and the brilliant Faulkner adaptation TOMORROW. Once the system is stress-tested and bug free. You should get started right away because they will be launching with a much larger catalogue of independent films shortly.

You can be one of the first to register and poke around (if you do, make sure you say hello), tell some friends about this secret, see some filler in terms of movies and get a good idea of where this is all headed. The big launch is (hopefully) November 1st and this looks like it is going to be the independent filmmakers and film fans number one destination.

TAKE ME TO: http://indiemoviesonline.com/

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Raindance Film Festival Starts October 1st



From the Raindance Official Site:

"...in a film industry that appears inaccessible to everybody who is not part of a pre-approved UKFC private member's club, Raindance inspires original voices from a great variety of backgrounds."

From the Empire article:

"The movie fest which boasts director Ken Loach as its patron will be hosting 75 features and over 100 shorts, alongside a host of live events, exclusive Q&As and masterclasses."

For anyone bathrobing it in jolly old New Amsterdam under the decisive stewardship of Patience and Fortitude (because why have one lion when you can have two?) there's still something to be had from all this:

Raindance offers "an exclusive prize pack to give away in promotion of the release of I'M A CYBORG. By answering the following trivia question, you could win a a a DVD pack of four previous Park Chan-wook films - Joint Security Area, Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance."

The Question: In what year did Park Chan-wook's film OLDBOY play at the Raindance film festival?

Google quick and send your answer to competition *art* raindance.co.uk with the subject line CYBORG.

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Life Imitating Ferris Bueller

Project Bueller has a standing date with the New York Halloween Festival to reinact the famous movie scene once again for the benefit of everyone everywhere.

From Project Bueller:

"...we are recreating the parade scene from Ferris Bueller's Day Off at the Village Halloween Parade. This will involve tens of thousands of people breaking out into the world's largest Beatles sing-a-long. We want the streets to erupt in joy and for it to be one of the greatest experiences of everyone's lives. We will need thousands of secret audience agents to get the ball rolling by imitating the extras in the scene and inspiring your neighbors in the audience to do the same. We believe first and foremost in the power of joy and hope to celebrate this principle with you everyday for the rest of our collective lives."

To see the famous scene in all its silly glory: Go Here

To join the collective: Project Bueller or email projectbueller *art* G mail.com

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