Thursday, June 30, 2005

Pre-Production

What's pre-production and why should I care about it?
Do I really need a script?
What is scouting and why is it important?
What should I do to get my equipment ready to shoot?
If I can get an assistant, how can he or she best help me?

READ MORE...

Legal Issues

When do I have to worry about performance rights and permissions?
How do I obtain rights to music?
Can I used published visual elements (photos, videos, movies)?
When do I need model releases, and where can I find standard forms?
When do I need permissions to shoot on private property and how do I get them?

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Business and Distribution

Videography FAQ

What are the opportunities in shooting event videos?
How do I break into corporate markets for training and promotional videos?
Can I make successful commercials?
How can I secure air time for my program?

READ MORE...

Wednesday, June 29, 2005

Contracts and Low Budget Movies

Contracts are a very serious aspect of making movies.

A lot of indie filmmakers forget the "business" half of the movie business.

If you do not have a signed release form for the actor or a signed location agreement with the property owner, they might become the owner of your film, or at least ruin any chance you have of publicly playing your movie.

Maybe you heard of success stories like Kevin Smith making Clerks, Edward Burns directing The Brother McMullen, or Spike Lee doing She's Gotta Have It? Well, what if they forgot to cross a "T" or dot an "I?" We might not have ever heard of them. It would have been very easy for an actor or the owner of a convenience store to screw over their movies if the filmmakers had not gotten signed contracts. READ MORE...

CONTEST ADVICE

Many screenplay contests are available to the aspiring screenwriter.

These contests can be a good avenue to getting one's work noticed and/or to make a sale. So, it's important to make sure that you have written your screenplay to the best of your ability and according to industry standards.

The most important thing to do for any aspiring screenwriter is to first learn the basic techniques of screenwriting before sitting down to write one.

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Tuesday, June 28, 2005

Genders and Spenders: Bratz vs. Barbie


The battle between Barbie and Bratz began with the dolls and has now spilled over to animation.
With the decline of the theatrical short and the rise of network (and later, cable) television most of the animated shows found their mark in two demographics: Children and “tweens” (an audience niche describing children roughly 7-13).

More than at any time in our history, televised content is relaying messages about gender norms (most likely, because there is a multiplicity of outlets; cable and satellite broadcasting has ensured more than 50 times the number of channels available since 1965).

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The Future of Independant Animation Studios

After the blockbuster era in animation, what lies ahead for independent studios?

You’ve heard the story about the renegade, underground animation of the ‘60s, the light-hearted days of the ‘70s; the second renaissance with feature films like American Tail, Who Framed Roger Rabbit, and the music video boom of the ‘80s that segued into a major boost of creativity in the early ‘90s… then Hollywood caught on.

Boom! Suddenly, it was a whole different ball game. Disney, Fox, Warner Bros. began staffing every nook and cranny with artists from all over the world. The blockbuster era began… Beauty and the Beast is nominated for awards, The Lion King grosses in the millions, networks like Nickelodeon and Cartoon Network were creating channels dedicated only to cartoons and a quirky yellow-skinned family found its way to primetime television.

Bust! The money seemed to run out, the studios began laying off these large stables of artist, hand-drawn animation’s popularity was slipping away and the lower quality of some television animation series were reportedly blinding children in Japan.

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Monday, June 27, 2005

Low Budget Lighting

I’m a big believer in getting the right tools for the right job, but sometimes you just can’t afford the right tools.

Where do you find cheap, or if you prefer, inexpensive, lights? Hardware stores, auto parts, stores, Salvation Army stores, Goodwill, garage sales. camera shops that carry used stuff, local production houses and rental houses. Keep your eyes peeled and be open to all possibilities.

Being a director of photography who’s shot a number of no/low/modest budgeted movies I thought it was about time I just wrote an article on how to light on the cheap.

If you’ve squandered almost all your money on a cool DV camera, decent microphone, tripod and some tasty food for your crew (don’t skimp on food because a crew travels on its’ stomach), your actors might be standing around in the dark because you don’t have any lights...

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Write + Sell The Hot Screenplay

Ideas are the bricks, mortar and timber of a screenplay.

An astute writer will carefully create a stockpile of ideas, and organize them in a way that will make retrieval easy. Because we are each different, ideas come to us in different ways.

Just because you have every newspaper published since 1933 doesn’t mean you have anything of value. If you are working on a story about JFK and can quickly retrieve the newspapers published exactly one week before JFK’s assassination; then you have something of value.

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Sunday, June 26, 2005

SHOULD YOU EDIT YOUR OWN MOVIES?

On the micro-budget level, where the funding for the DV short may be in the tens of dollars, there is the mythology that you should edit your own movie.

Very rarely in the movie industry do the Filmmakers actually edit their own productions. There are exceptions like Robert Rodriguez and the Coen Brothers, who use the pseudonym “Roderick Jaynes”. But then there are the director’s who “co-edit” their movies with another editor, like Kevin Smith and his uber producer Scott Mosier, or James Cameron who always edits alongside other editors.

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Japan Digital Animation Festival

JDAF Nagoya is a competition for 3D student films that has been run every two years since 1999 and is supported by The Nagoya Chamber of Commerce, The Ministry of Economy, Trade and Industry, The NHK Japan Broadcasting Group, the Chunichi Shimbun newspaper and the AnimeExpo among others.

The Grand Prize is one million Japanese yen, or about $10,000. Out of 150 entries nineteen were pre-selected to be finalists. Besides Japanese work this year animated films were submitted from France, China, Thailand, Spain and Hungary.

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Light and Shadow: 'Forty Deuce'

Bravo’s latest series about the world of burlesque receives the reality show treatment. Like the art form itself, a slow striptease with the emphasis on tease rather than strip, the show is designed to titillate viewers without revealing too much.

Named “Forty Deuce” after the club it features, the four episode “mini series” follows club promoter Ivan Kane and his wife and business partner, Champagne Suzy (once a burlesque dancer herself), as they oversee their trendsetting Los Angeles venue and try to launch a spin-off club in Las Vegas.

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Saturday, June 25, 2005

Screenwriter Blake Snyder

Blake Snyder joined the family business at age 8 working as a voice talent for his father, Emmy-award winning TV producer, Ken Snyder (Roger Ramjet, Big Blue Marble).

Blake began his career writing for the Disney TV series Kids Incorporated, penning thirteen episodes before turning to writing spec screenplays full time. Before long, a trade journal noted that Blake had become "One of Hollywood's most successful spec screenwriters."

Blake has sold many original scripts and pitches to the major studios, including two million-dollar sales (one to Steven Spielberg), and had two films produced.

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Everything Old Is New Again and Again

I read the coolest story about how some foreign countries are producing "original" TV shows using scripts from old American TV shows. As a writer, you would think I would be insulted by this or at least upset that there was that much less work, but I really wasn't getting much writing work in Peru (If they find humor in a Spanish speaking Al Bundy, that's fine with me. I would love to see the Algerian Fred Sanford, or the Columbian Potsie).

I wanted to talk about remakes and sequels because I had gotten a few e-mails with the same question: Is it a good idea to write a spec script using someone else's characters?

READ MORE...

Friday, June 24, 2005

TV Worldwide Launches "The Strand" Narrative Episodic for Web

TV Worldwide, a web-based global TV network, announced that it has signed an agreement with Blair Witch creator Dan Myrick of Gear Head Pictures to stream "The Strand," the first full length, live-action, independently produced- narrative episodic intended specifically for the web.

TV Worldwide’s streaming video live webcast launch of the first STRAND webisode will premiere at www.strandvenice.com, from a TV Worldwide-enabled webcast event page and be FREE of CHARGE to enable VIPs, critics, reviewers and early website visitors to participate.

Originally conceived in 2003, "The Strand" grew out of a series of camera tests using the backdrop of Venice Beach which grew into a love affair with the city itself. "Venice is so unique, with such a strong personality. I wanted to find a way to capture it for what it was, warts and all", says director Dan Myrick. A year later, he had cobbled together enough money to shoot for 8 days in the heart of the city.

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Thursday, June 23, 2005

Using Still Photos in Video

150 years after the Civil War the way video editors approach a part of our craft has forever been changed.

The Civil War itself did not have much to do about this, but the Ken Burns documentary about it did. For many, that program taught us about the power of using "moving stills" in a video project. There were no actual films made during the Civil War since there weren't any motion picture cameras, but still photography was another matter...

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Tapeless in Vegas

After years of tapelessness in editing, camcorders are finally catching up. That, and the arrival of CMOS to challenge the hegemony of CCDs, made this year's NAB noteworthy.

DV's low 25Mbps bit rate is ideal for FireWire-type hard disk drive recording, and the question remains, What's taking so long? Why not consign tape dropouts and jams to history, like vacuum tubes?

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Wednesday, June 22, 2005

Comic-Kaze

We all became addicted when neighborhood antics no longer seemed so exciting and the kids in class thought OUR glasses sat funny on (then) bulbous noses . . .

Comic books were any lonely kid's best friend, especially at that deliciously low price of a buck and a quarter. Now they are isolated under the label of "vintage comic books," sold at $50 a pop.

In those youthful years, solace could be taken in the artistically crafted glossy pages mass distributed by Marvel and DC - household names of the "lost generation." Band-Aids for low grades or schoolyard crush-rejections were torn from Spiderman's wiry frame, Batman's dramatic resolve to justice and Catwoman's willingness to cheat, steal and get "a little dirty" to survive.

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Rodriguez and 3D Post

Robert Rodriguez relates that even as production of Shark Boy and Lava Girl in 3D entered the 11th hour, he decided to make a major change in the postproduction process.

His goal was to improve the left-eye/right-eye anaglyphs that transform the movie's images into stereoscopic 3D. The process involved moving production of the anaglyphs to Montreal-based, 3D cinema technology company Sensio since time was running out.

Rodridguez’s goal for the movie was always to “make 3D really pop, without sacrificing color. I think there is a lot more we can do in 3D now that we have the process down a lot better than when we did Spy Kids 3D (in 2003).”

READ MORE...

Tuesday, June 21, 2005

Camcorder Shoot-out, Innovators, and Microsoft

Who would have thought that pint-sized camcorders could cause such a stir? It didn't take Sherlock Holmes to find the crowds stuffing the booths that showed hot new rigs from Sony, Panasonic, and JVC at NAB.

New technology abounded: InPhase Technology demonstrated its Tapestry holographic storage drive, which counts CNN as an early beta eagerly awaiting delivery of the terabyte-capable optical disc.

Tiny startups also faired well, like those two guys from Indiana — Reel Stream — who presented Andromeda, a Panasonic DVX100 camcorder mod that delivers full-bandwidth 4:4:4 RGB by pulling signal directly from the camera head.

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POWER SURGE

Alex Gibney’s Enron: The Smartest Guys in the Room, is based on investigative journalist Bethany McLean and Peter Elkind’s non-fiction book.

It is a smart, spirited and essential chronicle of America’s largest white collar crime.

READ MORE...

Monday, June 20, 2005

OPTIONING LITERARY PROPERTIES

Producers and studios will frequently discover an existing literary property (such as a completed book, short story, stage play or magazine article) which they would like to acquire and use as the basis for a motion picture or television production.

Rather than buying the property outright (and paying a large purchase price) they will, in many cases, acquire an "option" (i.e., the exclusive right to purchase the property at a future date) on the property for a fraction of the purchase cost.

During the term of the option, no one else is permitted to acquire rights to the property in question and the producer or studio can undertake development and financing activities with respect to the property with little (or less) upfront risk.

READ MORE...

Heroes and heroines

Comic book heroes strike a nerve with readers because people see what the characters have in common with themselves. Instances of strife in a hero's life remind the reader of their own struggle.

Does anyone honestly pick up a comic book because they want to be saved or swept off their feet by that illustrated hero or heroine?

Well, then again, perhaps in our fantasies... Still, the majority of the comic readership is borderline fanatical about their favorite characters' "lives" because they feel akin to the individuals beneath the morbid costumes and flowing capes.

READ MORE...

Sunday, June 19, 2005

Dangerous lives of comic fans

"The Dangerous Lives of Altar Boys" is a must-see for people with even the slightest interest in comic books.

Released in 2002,it made money, but not a significant amount. Produced by Jodie Foster and advertised as an art house flick, "Altar Boys" was called "tedious" by some movie critics before disappearing into the video and DVD realm.

The Internet Movie Database's description of the movie misrepresents the plot, claiming the story is wrapped around a group of Catholic boys who drew an "obscene comic book" that gets them into trouble.

READ MORE...

'Webisodes' in a state of infancy

With the popularity and demand of online animated episodes - or "webisodes" - still in a state of infancy, these new "artistic efforts" are becoming more and more addictive for comic cartoon and anime enthusiasts around the globe.

An obstacle barring the explosion of webisode popularity is the ease with which a potential viewer can locate online animation. Because these sources are somewhat buried, only rigorous online research will yield the fruit of quality web animated movies.

READ MORE...

Saturday, June 18, 2005

Most Lucrative Movie Franchises Ever

Why does Hollywood love to make sequels? The premiere of Batman Begins marks the sixth in the series and that's only counting the "modern" era of Batman flicks, dating from 1989's Batman from director Tim Burton.

This year has already brought us a slew of prequels, sequels and remakes, including The Honeymooners, Miss Congeniality 2, Star Wars: Revenge of the Sith (the sixth installment in the series), Dominion (the fifth movie in the Exorcist series) and The Longest Yard (a remake of the 1974 film of the same name).

Has the movie industry simply run out of ideas?

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Economical Storytelling:

Being a screenwriter in Hollywood has never been a walk in the park and if your eyes are open at billboards and bus stops, you must have noticed that more and more movies are being remade, reworked and adapted from existing stories.

With the graet success in the low budget/independent film market, Toni Kalmacoff talks about the changing film market and how a production company works with screenwriters on original ideas.

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FIVE short films to compete at Annecy

Most experimentation occurs within short film format productions, whether they are high-budgeted commercials, low-budgeted independent shorts or something in between.

In the world of films, these five films now stand out: Milch by Igor Kovalyov, Vent by Erik van Schaaik, Safety Procedures by Richard Fenwick, Agricultural Report by Melina Sydney Padua and The Moon and the Son: An Imagined Conversation by John Canemaker.

Includes QuickTime movie clips!

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Howl’s Moving Castle: A Work of Modern Art

Will Americans see the astonishing imagery and supernatural logic and realize that Howl’s Moving Castle is Miyazaki’s greatest phantasmagorical film?

For Hayao Miyazaki, it is a return to a land he knows very well. For everyone else, it is a visit to a mystical world of marvels.

Like several of Miyazaki’s other films, Howl’s Moving Castle takes place in a world where magic is commonplace and Edwardian-era technology has spawned massive aerial warships. And like those films, it also centers on a young woman who resolutely faces a challenge that might leave a conventional movie hero dazed and confused.

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Friday, June 17, 2005

Dodging Trains in Kansas

Independent director Abraham Lim’s feature film debut, Roads and Bridges, wrestles with hard and uncomfortable issues of race and friendship in a contemporary western landscape. Made over the course of five years on a stop-and-go schedule, utilizing a minimal number of professional crewmembers, writer/editor/actor Lim’s Super16 film came in on an estimated out-of-pocket budget of just over $150,000.

The film follows the evolving friendship between two men both haunted by their pasts, who are brought together on a road crew working the plains of Kansas. The men soon discover that the only way to survive their days on the scorching blacktop is to walk the road together.

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SCREENPLAY WRITERS WANTED

Producers/Agencies/Managers are all looking for that one particular next great SPECIAL screenplay. Query and pitch your project...

SUBMIT YOUR WORK...

Thursday, June 16, 2005

Ask A Hollywood Pro

Ask A Film Or TV Industry Professional Questions About Writing And Selling To Hollywood!

This just might be the only site on the net where you can come to one place and ask many industry pros questions about writing and selling to Hollywood.

The directions are simple, before you submit a question make sure it hasn't been asked already and answered.

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Writing Tips

A spec screenplay probably the only way a new writer can break into the film business. Another way is by marrying the studio head's daughter or son.

Thousands of spec screenplays have been sold over the years for high prices. Unlike the actor, who needs a stage and audience to perform, all the writer needs is a pencil and paper, but computers cab also be helpful.

This is no easy way to make a living! It can be very difficult, and if you're not prepared for constant rejection, select another field of endeavor.

READ MORE...

Wednesday, June 15, 2005

Soaps, Music Videos Linked to Teens' Body Image

New Australian research suggests that Desperate Housewives and other TV soap operas may help make adolescent girls desperate for a thinness few can healthily achieve.

The study of nearly 1,500 8th-to-11th graders also found that boys watching music videos were at a higher risk of developing the emerging male version of body-obsession -- lean, hyper-muscular physiques.

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Career Coach: Father Knows Best

There once was a show on TV called Father Knows Best. My father always knew best also. My dad encouraged me to go to college.

In the middle of my sophomore year I was in a quandary; I became interested in filmmaking. I was afraid my dad would be disappointed that I didn’t continue training to be a doctor, a long held dream of mine.

My dad sees things clearly. He said, “It’s your life. You should choose what would make you happiest.”

READ MORE...

The Island's HD Dailies

Before showing clips of his upcoming feature The Island to an L. A. press gathering, director Michael Bay apologized profusely for the “unfinished quality” of the imagery he was about to show. He jokingly said that he searched his DGA handbook of rules and regulations fruitlessly for some way out of having to show the material.

That presentation, and other previews of Island clips were, no more than digital projections of the HD dailies used throughout production. But Bay’s perfectionism aside, the imagery was clearly of good quality, with impressive color fidelity visible on the large-screen (projected using a Christie 2k projection system at the Academy of Motion Picture Arts and Sciences in Los Angeles).

The issue of color in the presentation and in the movie, is a significant issue considering Bay and his DP planned a specific color palette for the first half of the movie...

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Tuesday, June 14, 2005

2005 Digital Video Expo East Scheduled for July 18-21 at Javits Center, New York

The fourth annual Digital Video Expo East conference and exhibition will return to the Jacob K. Javits Convention Center, in New York, Monday through Thursday, July 18-21, 2005. Conference session descriptions and registration are available at www.dvexpo.com.

Digital Video Expo, run by CMP Media's Digital Video Group, is the core event for professionals working in audio, broadcasting, digital photography, independent film making, lighting, visual effects, video, and high-definition technology.

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What is H.264 Encoding?

Those shooting HDV are actively looking for solutions that allow them to distribute HD productions.

With months to wait for Blu-ray, filmmakers have been using D-VHS and Windows Media 9. The other format—one that has been waiting in the wings—is MPEG-4.

H.264 benefits from increased precision in motion estimation, which is the key process of reducing redundant data across a series of frames.

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Monday, June 13, 2005

BOOTLEG FILES: "THE PAUL LYNDE SHOW"

Ironically, one of the most popular titles on today's bootleg video circuit is one of the least popular titles of the 1970s: "The Paul Lynde Show". This sitcom limped its way unloved through a single season, but somehow gained a cult following thanks entirely to the posthumous gay icon stature of its zany star.

"The Paul Lynde Show" was created in 1972 by producer William Asher, whose long-running hit "Bewitched" was in its last year. ABC wanted a replacement show from Asher and he recommended a sitcom starring Paul Lynde, who had a recurring role on "Bewitched" as the wacky warlock Uncle Arthur.

For Lynde, the chance to star in his own show proved to be a career dream come true.

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The BEST 2005 INDY Films

With a camera, a computer and a lunch budget, the "1 person production company" can make a feature film. The question after that is can you make a feature film of quality?

Grassroots Cinema and these five films have answered that question: "Chopping Block", "Reckless Indifference", "Cerebral Print: The Secret Files", "The Lucky Ones" and "The God Who Wasn't There".

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Sunday, June 12, 2005

HOW HARRY BECAME A TREE

This is an excellent period piece where you genuinely feel transformed to Ireland in 1924.

HOW HARRY BECAME A TREE, a raucous comedy from director Goran Paskaljevic, stars the wonderful Colm Meaney (THE SNAPPER) as spite-filled Harry, whose one desire in life is to destroy George Flaherty, owner of the local pub and the richest man in town.

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Lucas embarks on second career as an avant-garde filmmaker

George Lucas figures that this is the ideal time to receive the American Film Institute's life-achievement award, now that he's finished his "Star Wars" series and is embarking on a second career as an avant-garde filmmaker.

One of Hollywood's highest honors, the award Thursday came as Lucas was bidding goodbye to his six-film sci-fi epic about the Skywalker clan, with the final chapter cruising to a $400 million-plus domestic haul.

AFI approached him a decade ago or more about the career prize, said Lucas, who turned 61 days before last month's debut of "Star Wars: Episode III — Revenge of the Sith." "I said, `You know, I'm too young. Look, I'm not ready yet... Then they came back again, and I said, `Look, wait until I'm over 60. Then I'll do it.' As soon as I turned 60, they called me."

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Saturday, June 11, 2005

Tool Time at Pixar

Director Brad Bird regularly reviewed images for The Incredibles, and used a new tool — the Review Sketch tool to draw on top of a projected image with a digitizing pen. His drawings were then accessible online by other members of his team.

“This is a vector-based tool with a raster erase. You can scale an image up or down, and when you want to erase, you turn the pen over and it erases. It feels very natural."

The Incredibles is Pixar's first feature with a "human" cast.

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Director's kid dives into filmmaking

When moviemaker Robert Rodriguez needed an idea for a family movie, his son threw him to the sharks.

Dimension Films wanted another funny action flick, similar to his 2003 hit, Spy Kids 3-D: Game Over. But Rodriguez, best known for the grown-up action flicks like Desperado and Sin City, didn't have any kid-friendly ideas in mind.

But his second-oldest son, Racer Max, had recently dreamed up a story about two kiddie superheroes: Sharkboy and Lavagirl. Rodriguez pitched The Adventures of Sharkboy and Lavagirl in 3-D, and the studio took the bait. (Related review: Not even Lava Girl can save Sharkboy)

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Friday, June 10, 2005

The Cheap DVD Player and You

For the DVD author outputting primarily to recordable media (DVD-R (+R), the cheap fifteen-dollar DVD player is more than a nuisance - it's a scourge. They play PAL as well as NTSC titles; most are region-free - and almost all are subject to poor playback of DVD-R (+R) discs.

Out-of-sync playback is the hallmark of these inexpensive units; the poor performance being invariably attributed by most viewers to a defective disc. Of course these folks who have invested all of $15 do not even consider the player itself could be the culprit. Back goes the disc to the store or vender, and the DVD author ultimately takes the loss.

In theory, if a disc is authored and encoded to the DVD specification and the player is designed and manufactured to the same spec, all will be fine in the promised land of DVD playback.

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Warner Bros. vs Film Pirates in China

In a groundbreaking response to combat movie piracy, Warner Bros. Entertainment released its latest film on DVD in China the same day it debuted in U.S. theaters.

The goal for Warner is to battle rampant piracy in China by providing movie fans a legitimate alternative to bootlegs. The boldness of Warner's action, which it took last week with no fanfare, was tempered by its choice of movie: "The Sisterhood of the Traveling Pants," a relatively low-budget film that the studio had not planned on releasing in Chinese theaters.

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Thursday, June 09, 2005

Movies are escape!

With the Lucas Dream Team at Skywalker Ranch

I've been closing my eyes to conjure impossible scenes of revenge, love, and possibility for more then a few decades.

Designing movies is mostly daydreaming, but ideas stay daydreams or become thumbnails and storyboards that fill closets and storage boxes with hope grown dim.

If one were to imagine a place where dreams become real, it might be the Skywalker Ranch, the lavish playground and toy shop of George Lucas...

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Soundminer: Organize and Track SFX

I keep encountering people who are using the Soundminer asset management software system to organize and track their SFX. Sound designer Eugene Gearty recording vintage planes for The Aviator, raved about how Soundminer had made his job easier.

Soundminer was really developed internally in Canada, at a facility called Crunch Recording Group about seven or eight years ago, before it became a commercial product. We wanted to move off CDs [for SFX editing], and hard drives were starting to come down in price and one day I was bemoaning, "Wouldn't it be great to be able to get all this online and have it be searchable no matter what [work]station you were at?"

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Wednesday, June 08, 2005

Scott Milam - Documentary Film Director, Producer and Writer

Scott was born and raised in Washington State, working in everything from corporate video to music video. In the early nineties his focus became music. Later, he participated in a number of local film productions as an editor and music composer.

Recently, he has been producing and directing. With the festival success of BIG CITY DICK: RICHARD PETERSON'S FIRST MOVIE, which took four years to complete, the battle isn't over as he and his co-producer/directors seek distribution.

Currently, he has been involved in the development of a feature film, BONE IN THE THROAT, based on the short story by popular crime author, Lawrence Block. He is also working on a girl's volleyball project, entitled, DIG IT.

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How realistic is it to pick up and move to NY?

Realizing that most of the opportunities are here in NY., Student filmmakers ask this question in the forum...

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Tuesday, June 07, 2005

The Lucas POV

George Lucas isn't ready to view his career in terms of his “legacy” just yet.

Instead, Lucas prefers to consider his digital filmmaking legacy as an act of necessity, designed to propel him along his chosen storytelling path. Therefore, with this in mind, Lucas paused carefully when asked to explain his contributions to the visual effects industry.

“For me, digital effects are necessary to my craft — an enhancement to tell stories. Everything we did was driven by that goal — finding better ways to tell stories,” Lucas said.

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Adrift in a Sea of Pixels

The first time I met Bill Gates, I was richer than he was.

I had just cashed out of my 85-person ad agency and was nosing around for some good investments when I met this guy who was leveraging all of his worldly possessions to put together something called an operating system, whatever that was.

A few decades later— I find myself receiving an email from Microsoft asking if I'd be interested in shooting a STeM (Standardized Test and evaluation Material) series. I've lensed quite a few comparative tests and product demonstration pieces over the years, so the request was nothing new.

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Monday, June 06, 2005

THE LAST WINTER

Larry Fessenden follows his horror trilogy — Habit, No Telling and Wendigo — with a chilling cautionary tale about oil company advance men trapped in a remote corner of Alaska.

“It’s dripping with themes about where humanity is headed. Humanity is very narcissistic and doesn’t see itself as part of nature, but indeed it is. All my films are about how we interact with the environment. [They’re about] landscape, myth and madness — how we see the world and what is morally sound. [The Last Winter] is a social commentary, intense drama and a supernatural thriller...

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Barriers in the Game Industry

Independent filmmakers CAN make films... “So I was broke again, and pissed, and I just wrote a movie for myself,” Richard Shepard says. “A movie that was outrageous and would never get bought. I was prepared to make it on my own. Raise a hundred grand or so, borrow a digital camera and film it in Mexico.”

But games are a different story... “You can’t make a console game with a small crew working for no money. And console games, not computer games, are what are driving the industry. To make a console game that will succeed at retail you need 40, 50 people or more, and some of them — the coders especially, the people who program the games — will get top dollar. You need people with very specific, very developed skills...

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Sunday, June 05, 2005

THE WONDER YEARS

Gregg Araki’s new film, Mysterious Skin uses cinematic form to explore sexuality.

Mysterious Skin (based on the novel by Scott Heim) is the first work that Araki has adapted rather than created himself. In the film two boys from Kansas — Brian Lackey (Brady Corbet) and Neil McCormick (Joseph Gordon-Levitt of TV’s 3rd Rock from the Sun fame) — who were both sexually abused by their Little League coach (Bill Sage) when they were eight, have devised very different coping mechanisms.

Brian has developed a complex, paranoid theory of alien abduction to explain his neurotic repression. Neil has attempted to embrace his abuse, holding up the coach as his great true love and taking off on an outlaw trail of teen hustling and petty crime.

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Amitabh Bachchan: Biggest Film Star In The World!'

With tourist-friendly phenomena like Bombay Dreams, the Bollywood brand is quickly finding its place in American pop culture's mainstream masala.

NY's Lincoln Center fetes mega-luminary Amitabh Bachchan, touted record-book-style as "the biggest film star in the world." Bachchan's retro serves as a survey of the South Asian blockbuster's rise from its gritty '70s roots to today's sleek, booming, globe-trotting productions.

The ImaginAsian's "Masters of Indian Cinema" celebrates a more cerebral counter-tradition of filmmaking in India, with a series dedicated to new and classic works from art-house directors who strive for a more personal Indian cinema

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'Witchfinder General'

One never knows what might turn up in "To Save and Project," MOMA's annual festival of recently preserved films, but it's always satisfying to find an obscure, late-'60s genre flick produced by a now defunct studio that has been redeemed from the red-on-red color deterioration that ravaged the period's celluloid artifacts.

The 1968 British horror movie Witchfinder General (also known as The Conqueror Worm) has long been a cult item—partly because its talented 25-year-old director, Michael Reeves, died of a drug overdose before the film's release, but mainly because it is an extraordinarily bleak story of political evil.

Set in pastoral East Anglia during the mid-17th-century civil war between Oliver Cromwell's Roundheads and King Charles's Cavaliers, it starred Vincent Price as the pious opportunist Matthew Hopkins, a historical figure who profited from the chaos by discovering Catholic witches among the peasantry—and enabling their neighbors to put them to death.

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Saturday, June 04, 2005

Tracking Shots

Parent trapped: Hard-luck Israelis in a heartless world

With a cool head and level gaze, Keren Ye-daya's stark first feature attempts a Bressonian trajectory of tragic inevitability. Or is a sweet-natured teenage girl in Tel Aviv who earns badly needed cash by washing dishes in her neighbors' restaurant and collecting discarded bottles.

When Or is at school or work, she locks her blowsy, sullen mother, Ruthie inside the cramped apartment they share, though Mom often sneaks out to turn tricks.

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A French Director Redefines Direct Cinema

To the world of French auteur cinema, the films of Eugène Green are a vital reminder of just how radical simplicity can feel.

"I think we're naturally inclined to have complicated thoughts," the 58-year-old director said, "so I've tried to create something pure, because simplicity has the strongest impact." Green's movies (which are the subject of a complete retro at BAM) reduce cinematic aesthetics to an almost primordial level.

Actors face the viewer, and deliver the declarative dialogue in emotionless tones. Sometimes, the camera moves. By lowering our pulses, Green accomplishes what other directors usually work up a sweat trying to achieve: a direct window into the soul.

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ARTISTS and DESIGNERS SALARIES---2005

The AIGAAquent Survey of Design Salaries is commissioned annually by AIGA, with the support of its partner, Aquent, AIGA's official sponsor for professional development, and in cooperation with Communication Arts magazine.

The salary survey is part of a comprehensive program of AIGA activities developed to serve the professional designer with strategies for success as well as sources of inspiration. AIGA is the principal source of information on the design economy.

This year we've included a five year trend analysis.

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Independent Filmmakers 2

There are many great Independent Filmmakers from different eras of film history. Early directors like D. W. Griffith created new film techniques with “Intolerance”, in 1916. Michael Powell and Emeric Pressburger, the greats of color and visual drama who made “The Red Shoes” in 1948, created one of the most beautiful and amazing sequences on film.

The new auteurs of the 60’s created films like “Blow Up” in 1966, or “Alfie” with Michael Cain.
Through the 70’s and 80’s, “Clock Work Orange”, “Zardoz”, “Tommy”, to the present independents is the “Long and Winding Road” of filmmaking exploration.

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The Future of Open-Standard Internet Video

We start with the premise that standards-based compression technologies, such as MPEG-2, have effectively solidified the broadcast market and add in a pinch of discontent with proprietary compression technologies and a dash of hope that H.264 (AVC) is enough of a quality leap from MPEG-2 that broadcasters will adopt it.

Add three panelists, mix everything up, and throw in an effective moderator and you’ll have the makings of a very interesting discussion at the recent Streaming Media East show.

Dale Sorenson asked the panelists first to define the difference between IPTV and streaming media.

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Friday, June 03, 2005

Could we please have a new era of computer entertainment—right now?

Hey, you gamers, get over yourselves.

As it turns out, you are not the major market for entertainment, you are not the salvation of 3D as we know it, those cute girls in the Nokia booth really don’t like you, and mastery of 3D gaming expertise prepares you for nothing in life except maybe a reflex test during your army exam.

Sony said over and over again that the PlayStation 3 could do anything a computer could do. They implied that anything you did on the PlayStation 3 would be considerably more fun than on a computer.

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Thursday, June 02, 2005

The Word on the Web

The First Baptist Church of Woodstock, Ga., upgraded its technology to spread the word farther than the boundaries of its walls...

When the First Baptist Church of Woodstock, Ga., northwest of Atlanta, opened the doors to its new 7,500-seat church this fall, its mission was to reach more than its local audience with live sermons...

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The ProHD Approach

Though not a format unto itself, JVC’s ProHD pushes HDV forward by capturing PCM audio and true 24p.

JVC's first ProHD camcorder, the GY-HD100 can record 720p HDV at 24p with PCM audio. At NAB 2005, JVC introduced its new HDV camcorder, the GY-HD100.

This camcorder records to videotape in the HDV format, yet it is described as a ProHD product. ProHD is not a format unto itself, nor is it a sub-format of HDV...

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